"Voices from the Underworld, 2020, by Fabian Graham, published by Manchester University Press

Available on Amazon (hardback and kindle), paperback Available for preorder In Singapore and Malaysia, the inversion of Chinese Underworld traditions has meant that Underworld demons are now amongst the most commonly venerated deities in statue form, channelled through their spirit mediums, tang-ki. The Chinese Underworld and its sub-hells are populated by a bureaucracy drawn from the Buddhist, Taoist and vernacular pantheons. Under the watchful eye of Hell's 'enforcers', the lower echelons of demon soldiers impose post-mortal punishments on the souls of the recently deceased for moral transgressions committed during their prior incarnations. Voices from the Underworld offers an ethnography of contemporary Chinese Underworld traditions, where night-time cemetery rituals assist the souls of the dead, exorcised spirits are imprisoned in Guinness bottles, and malicious foetus ghosts are enlisted to strengthen a temple's spirit army. Understanding the religious divergences between Singapore and Malaysia through an analysis of socio-political and historical events, Fabian Graham challenges common assumptions on the nature and scope of Chinese vernacular religious beliefs and practices. Graham's innovative approach to alterity allows the reader to listen to first-person dialogues between the author and channelled Underworld deities. Through its alternative methodological and narrative stance, the book intervenes in debates on the interrelation between sociocultural and spiritual worlds, and promotes the de-stigmatisation of spirit possession and discarnate phenomena in the future study of mystical and religious traditions. Graham makes a convincing case that hell deity worship has grown in scale and taken new forms in the period that he seeks to document. Through ethnographic research that is both intensive and extensive, he demonstrates that veneration of the Underworld gods and the Ten Courts of Hell is an important part of contemporary vernacular religious practice. The book is filled with detailed reports on his ethnographic interviews and observations that testify to the inventiveness and imagination of the practitioners of Chinese popular religion, and the Underworld merits a book-length study of this sort.' China Review International